His cue "Hymn to Aton" continues this tradition this dates from before Christ, but the music is unmistakable Movies with strong religious connotations are those for which Newman is probably best-remembered today: The Robe, The Strong of Bernadette, The Greatest Story Ever Told et cetera. The music by Newman is just as strong (and some of the cues credited to Herrmann are actually based around sketches by Newman). Write for film these days and Herrmann writing in such a style is always a real Its harsh brutality is unlike anything composers H errmann's livelier material is just as good: "The Chariot Race" and "Pursuit" are two highlights, both offering up the kind of orchestral violence for which theĬomposer was so renowned.
Alfred newman hall movie#
The high-register oboe melody, later taken up by the strings, offers far more insight into the story than Michael Curtiz's long-forgotten movie did. Herrmann's main love theme for The Egyptian, "Nefer-Nefer-Nefer", must rank as one of the most beautiful cues he ever wrote its seven minute length allowed the composer more room than usual to develop his material, a chance rarely given to composers nowadays. Stromberg, presents the score strictly in film order most of the early action music is by Herrmann, with Newman unsurprisingly concentrating on the mystical and theological aspects of the story towards the end. In 1998 by the Moscow Symphony Orchestra and Chorus, conducted by William T. The two composers generally have vastly differing styles, so it is something of a miracle that the score is as coherent as it is.
Respect and admiration for Newman is legendary. It's unlikely that Herrmann would have said yes to working with anyone else - but his Zanuck, studio chief at Fox, wanted Franz Waxman to assist Newman, but his music chief held out for Herrmann. Don't bother me again.) This collaboration came about after Newman realised the time pressures on him were too great to enable him to write the score all by himself Darryl "What about Batman Begins?" Go to the back of theĬlass. The 1954 movie The Egyptian must be unique in film music history: its score was written by the two movie music megastars of the time, Alfred Newman. review copyright (c) 2005 James Southall Artwork copyright (c) 1999 HNH International Ltd.
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